12.23.2021 update
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[dropcap]E[/dropcap]cho: A Music-Centered Journal is an interdisciplinary, peer-reviewed journal created and edited by graduate students in the Department of Musicology at the University of California, Los Angeles. Since our first issue in Fall 1999, we have published biannually. |
Empirical Musicology Review (EMR) aims to provide an international forum promoting the understanding of music in all of its facets. In particular, EMR aims to facilitate communication and debate between scholars engaged in systematic and observation-based music scholarship. Debate is promoted through publication of commentaries on research articles. The first issue was published in 2006. |
The Journal of Seventeenth-Century Music (JSCM) is published by the Society for Seventeenth-Century Music to provide a refereed forum for scholarly studies of the musical cultures of the seventeenth century. These include historical and archival studies, performance practice, music theory, aesthetics, dance, and theater. JSCM also publishes critical reviews of recently published books, scores, and electronic media. |
Understanding Bach, the web journal of Bach Network, was launched in 2006 with the publication of the first volume on 21 March. It is a peer-reviewed, open access journal consisting of twelve volumes published annually between 2006 and 2017. |
Music Theory Pedagogy Online is sponsored by the The Gail Boyd de Stwolinski Center for Music Theory Pedagogy at the University of Oklahoma. The first issue was published in 1987. |
Computing in Musicology is a directory of activities related to the acquisition, representation, storage, manipulation, and end-uses of musical information in notation, analysis, documentation, and sound control. This is sponsored by the Center for Computer Assisted Research in the Humanities, Stanford University. |
Music Performance Research is an open access journal. One or two issues have been published in most years since 2007. Its aim is to disseminate theoretical and empirical research on the performance of music. Contributions are welcome from researchers in all disciplines relevant to music performance, including archaeology, cultural studies, composition, computer science, education, ethnomusicology, history, medicine, music theory and analysis, physics, musicology, philosophy, psychology, neuroscience and sociology. |
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Source: Matthew Franke’s list of open-access music journals
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